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Because of this, she relates to a man very differently." "Don’t be flattered that he misses you. This is the first time Dreamgirls has been performed in the West End, and it’s a production that’s sure to echo down the years, purely for the diabolical racket it kicks up.She understands that if someone does not approve of her, it's just one person's opinion; therefore, it's of no real importance.She doesn't try to live up to anyone else's standards - only her own. However, he’s still the same person who just broke up with you.It’s a shame because the Savoy has had a successful run of Broadway revivals recently – Gypsy, Guys and Dolls, Funny Girl – using them as showboating vehicles for famous actors.Dreamgirls is no different, with Glee star Amber Riley playing Effie, a role that won Jennifer Hudson an Oscar for the 2007 film version.She’s certainly got the pipes for it; her rendition of And I Am Telling You I’m Not Going is like being blasted by a melismatic foghorn or getting a blow dry from a jet engine.Mostly sung, all nuance and tenderness seems to have been banished in favour of loud arguments and even louder vocal gymnastics – which is fine if you like American Idol, but awful if you’ve got ears.
Since absolutely everybody has been raving about Jennifer Hudson's performance, I expected to at least be impressed by her, but frankly I wasn't.The one he saw sounds a whole lot better than the one I did.The one I saw was just one long music video with a tired story and cliched characters barely fleshing out the plot.In that show, Berry Gordy narrates the rise of black music to the mainstream, whereas in Dreamgirls we see the same scenario play out from the point of view of his ex-wife Diana Ross.The Dreamettes are a thinly-veiled fiction of The Supremes who battle their way to the top of the charts in racially segregated Sixties America.